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Médias: Images- Types de document: Newspaper illustrations
- Types de document: Photographs
- Types de document: Paintings
- Pictures of Engines
Three poor pictures of engines Three poor pictures of enginesKawartha Lakes Public Library - Young urban workers helping to harvest grain at a model collective farm pose for the photographer
This photo, taken August, 1933, was used to illustrate “Why Russia is Hungry,” (March 3, 1934, p.3), the second of two articles by Whiting Williams that ran in a London weekly titled Answers. The original photograph and the published version are both shown. See Special Features menu to link to … This photo, taken August, 1933, was used to illustrate “Why Russia is Hungry,” (March 3, 1934, p.3), the second of two articles by Whiting Williams that ran in a London …Holodomor Research and Education Consortium - Emaciated woman in heavy coat and work boots stands near a factory in Ukraine
This photo, taken August, 1933, was used to illustrate “My Journey Through Famine-Stricken Russia,” (February 24, 1934, p.16), the first of two articles by Whiting Williams that ran in a London weekly titled Answers. The original photograph and the published version are both shown here. See Related Features menu to … This photo, taken August, 1933, was used to illustrate “My Journey Through Famine-Stricken Russia,” (February 24, 1934, p.16), the first of two articles by Whiting Williams that ran in a …Holodomor Research and Education Consortium - Long line of people waiting to buy bread in Ukraine
The original photo, taken in August 1933, is now missing. However, it was edited and used to illustrate “Why Russia is Hungry,” (March 3, 1934, p.3), the second of two articles by Whiting Williams that ran in a London weekly titled Answers. The published version is shown here. See Special … The original photo, taken in August 1933, is now missing. However, it was edited and used to illustrate “Why Russia is Hungry,” (March 3, 1934, p.3), the second of two …Holodomor Research and Education Consortium - Small group of people gathered around a child lying dead near the edge of a sidewalk in Kharkiv
This photo, taken August, 1933, was used to illustrate “My Journey Through Famine-Stricken Russia,” February 24, 1934, p.16, the first of two articles by Whiting Williams that ran in a London weekly titled Answers. The original photograph and the published version are both shown here. See Related Features menu to … This photo, taken August, 1933, was used to illustrate “My Journey Through Famine-Stricken Russia,” February 24, 1934, p.16, the first of two articles by Whiting Williams that ran in a …Holodomor Research and Education Consortium - A police cart drives through the streets of Kharkiv collecting homeless children
This photo, taken August, 1933, was used to illustrate “My Journey Through Famine-Stricken Russia,” (February 24, 1934, p.17), the first of two articles by Whiting Williams that ran in a London weekly titled Answers. The original photograph and the published version are both shown. See Related Features menu to link … This photo, taken August, 1933, was used to illustrate “My Journey Through Famine-Stricken Russia,” (February 24, 1934, p.17), the first of two articles by Whiting Williams that ran in a …Holodomor Research and Education Consortium - Mining employees on their way to work in the Donetsk coal mining region
This photo, taken August, 1933, was used to illustrate “My Journey Through Famine-Stricken Russia,” (February 24, 1934, p.17), the first of two articles by Whiting Williams that ran in a London weekly titled Answers. The original photograph and the published version are both shown here. See Related Features menu to … This photo, taken August, 1933, was used to illustrate “My Journey Through Famine-Stricken Russia,” (February 24, 1934, p.17), the first of two articles by Whiting Williams that ran in a …Holodomor Research and Education Consortium - Two women workers at an industrial site near the Dnipro Hydroelectric dam
This photo, taken August, 1933, was used to illustrate “Why Russia is Hungry,” (March 3, 1934, p.3), the second of two articles by Whiting Williams that ran in a London weekly titled Answers. The original photograph and the published version are both shown here. See Related Features menu to link … This photo, taken August, 1933, was used to illustrate “Why Russia is Hungry,” (March 3, 1934, p.3), the second of two articles by Whiting Williams that ran in a London …Holodomor Research and Education Consortium - A traffic officer is getting a shoeshine from a young boy with the new Kharkiv government buildings in the background
This photo, taken August, 1933, was used to illustrate “My Journey Through Famine-Stricken Russia,” (February 24, 1934, p.17), the first of two articles by Whiting Williams that ran in a London weekly titled Answers. The original photograph and the published version are both shown. See Special Features menu to link … This photo, taken August, 1933, was used to illustrate “My Journey Through Famine-Stricken Russia,” (February 24, 1934, p.17), the first of two articles by Whiting Williams that ran in a …Holodomor Research and Education Consortium - My Journey through Famine-Stricken Russia!
Williams, Whiting, 1878-1975, Answers, 1934, 16-17, 28 The original photographs that served as the basis for the published illustrations are accessible from the Related Features menu. Descriptions of the photographs along with their original captions are included. Williams, Whiting, 1878-1975, Answers, 1934, 16-17, 28 The original photographs that served as the basis for the published illustrations are accessible from the Related Features menu. Descriptions of the photographs along with their original captions are included.Holodomor Research and Education Consortium - Searchers & symbols
John Delves, of Barrie, a graduate of the Ontario College of Art, is a professor of visual arts at Georgian College. His work reflects his search for directions and images, based upon dreams, symbols and visual language. John Delves, of Barrie, a graduate of the Ontario College of Art, is a professor of visual arts at Georgian College. His work reflects his search for directions and images, …Newmarket Public Library - Portrait of Abagail St.John Phelps
Donated by Lt. Col. Roy C. Phelps. This painting was previously hung in the First United Church in St. Catharines after being donated by Mrs. John S Campbell, great-grandaughter of Abagail St. John Phelps. Donated by Lt. Col. Roy C. Phelps. This painting was previously hung in the First United Church in St. Catharines after being donated by Mrs. John S Campbell, great-grandaughter of …St. Catharines Museum - Portrait of Dr. Jediah Prendergast
A portrait of Jediah Prendergast who was the first non-military doctor in the Thorold/St. Catharines area. He was also the father-in-law of William Hamilton Merritt, builder of the First Welland Canal. This unframed oil painting is 29 3/4 inches in height, 25 inches in length, and 1 inch in width. … A portrait of Jediah Prendergast who was the first non-military doctor in the Thorold/St. Catharines area. He was also the father-in-law of William Hamilton Merritt, builder of the First Welland …St. Catharines Museum - Portrait of Penelope Chase Prendergast
This portrait is of Penelope Chase Prendergast, a woman of a prominant family in the St.Catharines and Thorold area. Her husband was Dr. Jediah Prendergast, the first non-military doctor in the St. Catharines and Thorold area. She was also the mother-in-law of William Hamilton Merritt. The unframed, oil painting is … This portrait is of Penelope Chase Prendergast, a woman of a prominant family in the St.Catharines and Thorold area. Her husband was Dr. Jediah Prendergast, the first non-military doctor in …St. Catharines Museum - The Battle of Queenston Heights. By James Dennis
An oil on canvas painting. Before dawn on October 13, 1812, the New York State Militia launched an invasion across the treacherous currents of the Niagara River at Queenston. The leader of the British forces, Sir Isaac Brock, was killed in the early stages of the battle. American advances were … An oil on canvas painting. Before dawn on October 13, 1812, the New York State Militia launched an invasion across the treacherous currents of the Niagara River at Queenston. The … - The Battle of Lake Erie I. By Thomas Birch
This is one of seven oil on canvas paintings by Birch that depicts the Battle of Lake Erie (September 1813). This particular canvas shows Commodore Perry's flagship, the Lawrence, opposing the Detriot, the flagship of Commander Barclay, at the commencement of the battle. Nearby are the Caledonia opposing the Hunter, … This is one of seven oil on canvas paintings by Birch that depicts the Battle of Lake Erie (September 1813). This particular canvas shows Commodore Perry's flagship, the Lawrence, opposing … - The Battle of Lake Erie II. By Thomas Birch
This is one of seven oil on canvas paintings by Birch that depicts the Battle of Lake Erie (September 1813). This particular canvas shows the second phase of the battle, with the line broken, the Lawrence and Detroit engaged at close quarters. Undated. This is one of seven oil on canvas paintings by Birch that depicts the Battle of Lake Erie (September 1813). This particular canvas shows the second phase of the battle, … - The Battle of Lake Erie III. By Thomas Birch
This is one of seven oil on canvas paintings by Birch that depicts the Battle of Lake Erie (September 1813). This particular canvas portrays a phase of the Battle of Lake Erie in which the Hunter is shown, almost a wreck. Undated. This is one of seven oil on canvas paintings by Birch that depicts the Battle of Lake Erie (September 1813). This particular canvas portrays a phase of the Battle of … - The Battle of Lake Erie IV. By Thomas Birch
This is one of seven oil on canvas paintings by Birch that depicts the Battle of Lake Erie (September 1813). This particular canvas shows a further phase of the battle after Perry had transferred from the Wrecked Lawrence to the Niagara. Undated. This is one of seven oil on canvas paintings by Birch that depicts the Battle of Lake Erie (September 1813). This particular canvas shows a further phase of the battle … - The Battle of Lake Erie V. By Thomas Birch
This is one of seven oil on canvas paintings by Birch that depicts the Battle of Lake Erie (September 1813). This particular canvas shows the continuation of the Niagara's charge against the British Line. Undated. This is one of seven oil on canvas paintings by Birch that depicts the Battle of Lake Erie (September 1813). This particular canvas shows the continuation of the Niagara's charge …
